Special Episode
Demetri Kofinas Shares Stories from his Life and Career in Markets and the Media on TC’s Chartcast
Special Episode
Demetri Kofinas
Demetri Kofinas Shares Stories from his Life and Career in Markets and the Media on TC’s Chartcast
summary
Demetri Kofinas makes a guest appearance on TC’s Chartcast, a boutique podcast for short sellers hosted by Tesla Charts and Georgia Orwell. Demetri shares stories from his life and career in markets and the media, including lessons learned from his experience overcoming dementia in his early 30’s. TC’s Chartcast is available on most major podcast platforms and you can follow TC and Georgia on twitter at @TeslaCharts and @Georgia_Orwell_.
If you are interested in learning more about Demetri’s podcast, head over to HiddenForces.io and subscribe to our free email list. You can access the overtimes, transcripts, and rundowns to our full episodes through the Hidden Forces Supercast Page. All subscribers also gain access to our overtime feed, which can be easily added to your favorite podcast application.
Producer & Host: Demetri Kofinas
Editor & Engineer: Stylianos Nicolaou
Subscribe & Support the Podcast at http://patreon.com/hiddenforces
Join the conversation on Facebook, Instagram, and Twitter at @hiddenforcespod
bio
Demetri Kofinas is a technology and media entrepreneur, as well as the creator and former executive producer of a popular international finance television news program broadcast in over 100 countries around the world. Demetri serves as principal and executive producer of OFFLINE, an Off-Broadway theatre company specializing in modern adaptations of classic works. He is also creator and host of Hidden Forces, a weekly podcast that explores the hidden forces responsible for driving the most powerful changes we see in the world.
After graduating from NYU in 2004, Demetri Kofinas worked for a brief period in financial services before founding Guerilla Gaming Concepts, an interactive entertainment company focused on developing a skill gaming middleware platform for the Play Station 3. In 2008, Demetri transitioned from the video games industry into product development for television, working in application development and design for Cablevision. Later in his career, Demetri turned his passion for financial blogging into the popular evening radio program Covering the Spread, which aired during drive time on 91.5FM WNYE, appearing often as a commentator on other radio and television news programs as well. Eventually, Demetri’s broad experience in media and his passion for finance and economics lead to his creation and executive production of the popular international news program Capital Account, which was watched, during its run, by hundreds of thousands of people around the world.
More recently, Demetri Kofinas was responsible for overseeing the creation, development, and launch of The Art of Dying, an educational initiative whose mission is to revolutionize the way modern societies engage with, understand and build relationship around death and dying. The institute’s Spring 2015 conferencewas attended by more than 300 participants and featured eighteen of the world’s leading researchers, innovators, and practitioners from the fields of death care and death-related studies.
Demetri Kofinas currently serves as principal and Executive Producer of OFFLINE, an off-Broadway theater company specializing in modern adaptations of classic works, with an eye towards exploring modern and experimental interpretations and themes. The company’s most recent production – A Midsummer Night’s Dream – had a successful summer run at Theatre 80 St. Marks. Previous performances of Much Ado About Nothing and Twelfth Night have had Spring and Fall runs at the historic Soho Playhouse in Lower Manhattan. The coming launch of Hidden Forces Media has consumed all of Demetri’s free time, but he looks forward to putting on more productions in the near future.
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Habes, inquam, Cato, formam eorum, de quibus loquor, philosophorum. Apparet statim, quae sint officia, quae actiones. Quae autem natura suae primae institutionis oblita est? Duo Reges: constructio interrete. Sin eam, quam Hieronymus, ne fecisset idem, ut voluptatem illam Aristippi in prima commendatione poneret.
Confecta res esset. Effluit igitur voluptas corporis et prima quaeque avolat saepiusque relinquit causam paenitendi quam recordandi. Minime id quidem, inquam, alienum, multumque ad ea, quae quaerimus, explicatio tua ista profecerit. Quae cum dixisset, finem ille. Atque ab his initiis profecti omnium virtutum et originem et progressionem persecuti sunt. Haec quo modo conveniant, non sane intellego. Qualis ista philosophia est, quae non interitum afferat pravitatis, sed sit contenta mediocritate vitiorum? Illud dico, ea, quae dicat, praeclare inter se cohaerere.
Videsne, ut haec concinant? Ita fit cum gravior, tum etiam splendidior oratio. Nihil illinc huc pervenit. Quid sequatur, quid repugnet, vident. Multa sunt dicta ab antiquis de contemnendis ac despiciendis rebus humanis;
Virtutibus igitur rectissime mihi videris et ad consuetudinem nostrae orationis vitia posuisse contraria. Color egregius, integra valitudo, summa gratia, vita denique conferta voluptatum omnium varietate.
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ex rebus enim timiditas, non ex vocabulis nascitur. Nihilo beatiorem esse Metellum quam Regulum. Duo Reges: constructio interrete. Dicimus aliquem hilare vivere; Quod ea non occurrentia fingunt, vincunt Aristonem; Sed ad haec, nisi molestum est, habeo quae velim. Sed in rebus apertissimis nimium longi sumus. Aliter enim explicari, quod quaeritur, non potest.
Quicquid enim a sapientia proficiscitur, id continuo debet expletum esse omnibus suis partibus; Huius ego nunc auctoritatem sequens idem faciam. Stoicos roga. Propter nos enim illam, non propter eam nosmet ipsos diligimus. Quis istud possit, inquit, negare? Primum quid tu dicis breve? Re mihi non aeque satisfacit, et quidem locis pluribus. Sed quid attinet de rebus tam apertis plura requirere?
At eum nihili facit; Omnes enim iucundum motum, quo sensus hilaretur. Unum nescio, quo modo possit, si luxuriosus sit, finitas cupiditates habere. Nec vero alia sunt quaerenda contra Carneadeam illam sententiam. Quid de Platone aut de Democrito loquar? Hic ambiguo ludimur.
Qui ita affectus, beatum esse numquam probabis; Quod mihi quidem visus est, cum sciret, velle tamen confitentem audire Torquatum. Cum sciret confestim esse moriendum eamque mortem ardentiore studio peteret, quam Epicurus voluptatem petendam putat. Hoc dixerit potius Ennius: Nimium boni est, cui nihil est mali. Sed in rebus apertissimis nimium longi sumus. Non est ista, inquam, Piso, magna dissensio. Tollitur beneficium, tollitur gratia, quae sunt vincla concordiae.
intelligence report
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Sed vos squalidius, illorum vides quam niteat oratio. Dicet pro me ipsa virtus nec dubitabit isti vestro beato M. Multoque hoc melius nos veriusque quam Stoici. Atque haec coniunctio confusioque virtutum tamen a philosophis ratione quadam distinguitur.
Ut enim consuetudo loquitur, id solum dicitur honestum, quod est populari fama gloriosum. Hic ambiguo ludimur. Ergo adhuc, quantum equidem intellego, causa non videtur fuisse mutandi nominis. Sextilio Rufo, cum is rem ad amicos ita deferret, se esse heredem Q. Idemne, quod iucunde? Qui enim existimabit posse se miserum esse beatus non erit. Aliter homines, aliter philosophos loqui putas oportere?
Duo Reges: constructio interrete. Sed quoniam et advesperascit et mihi ad villam revertendum est, nunc quidem hactenus; Fatebuntur Stoici haec omnia dicta esse praeclare, neque eam causam Zenoni desciscendi fuisse. Cupiditates non Epicuri divisione finiebat, sed sua satietate. Scio enim esse quosdam, qui quavis lingua philosophari possint; Nam, ut sint illa vendibiliora, haec uberiora certe sunt. In omni enim arte vel studio vel quavis scientia vel in ipsa virtute optimum quidque rarissimum est. Traditur, inquit, ab Epicuro ratio neglegendi doloris.
Nam aliquando posse recte fieri dicunt nulla expectata nec quaesita voluptate. Vos autem cum perspicuis dubia debeatis illustrare, dubiis perspicua conamini tollere. Et quidem illud ipsum non nimium probo et tantum patior, philosophum loqui de cupiditatibus finiendis. At Zeno eum non beatum modo, sed etiam divitem dicere ausus est.
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vidit Homerus probari fabulam non posse, si cantiunculis tantus irretitus vir teneretur; Quia nec honesto quic quam honestius nec turpi turpius. Consequatur summas voluptates non modo parvo, sed per me nihilo, si potest; Esse enim, nisi eris, non potes. Hoc est vim afferre, Torquate, sensibus, extorquere ex animis cognitiones verborum, quibus inbuti sumus. Duo Reges: constructio interrete. Ne amores quidem sanctos a sapiente alienos esse arbitrantur. Cum id fugiunt, re eadem defendunt, quae Peripatetici, verba.
Fortasse id optimum, sed ubi illud: Plus semper voluptatis? Ille enim occurrentia nescio quae comminiscebatur; Ait enim se, si uratur, Quam hoc suave! dicturum.
Hoc tu nunc in illo probas. Atqui haec patefactio quasi rerum opertarum, cum quid quidque sit aperitur, definitio est. Beatus sibi videtur esse moriens.
Sic enim maiores nostri labores non fugiendos tristissimo tamen verbo aerumnas etiam in deo nominaverunt. Quod quidem iam fit etiam in Academia. Et ille ridens: Video, inquit, quid agas; Sed in rebus apertissimis nimium longi sumus. Equidem e Cn. Et harum quidem rerum facilis est et expedita distinctio.