Special Episode
Demetri Kofinas Shares Stories from his Life and Career in Markets and the Media on TC’s Chartcast
Special Episode
Demetri Kofinas
Demetri Kofinas Shares Stories from his Life and Career in Markets and the Media on TC’s Chartcast
summary
Demetri Kofinas makes a guest appearance on TC’s Chartcast, a boutique podcast for short sellers hosted by Tesla Charts and Georgia Orwell. Demetri shares stories from his life and career in markets and the media, including lessons learned from his experience overcoming dementia in his early 30’s. TC’s Chartcast is available on most major podcast platforms and you can follow TC and Georgia on twitter at @TeslaCharts and @Georgia_Orwell_.
If you are interested in learning more about Demetri’s podcast, head over to HiddenForces.io and subscribe to our free email list. You can access the overtimes, transcripts, and rundowns to our full episodes through the Hidden Forces Supercast Page. All subscribers also gain access to our overtime feed, which can be easily added to your favorite podcast application.
Producer & Host: Demetri Kofinas
Editor & Engineer: Stylianos Nicolaou
Subscribe & Support the Podcast at http://patreon.com/hiddenforces
Join the conversation on Facebook, Instagram, and Twitter at @hiddenforcespod
bio
Demetri Kofinas is a technology and media entrepreneur, as well as the creator and former executive producer of a popular international finance television news program broadcast in over 100 countries around the world. Demetri serves as principal and executive producer of OFFLINE, an Off-Broadway theatre company specializing in modern adaptations of classic works. He is also creator and host of Hidden Forces, a weekly podcast that explores the hidden forces responsible for driving the most powerful changes we see in the world.
After graduating from NYU in 2004, Demetri Kofinas worked for a brief period in financial services before founding Guerilla Gaming Concepts, an interactive entertainment company focused on developing a skill gaming middleware platform for the Play Station 3. In 2008, Demetri transitioned from the video games industry into product development for television, working in application development and design for Cablevision. Later in his career, Demetri turned his passion for financial blogging into the popular evening radio program Covering the Spread, which aired during drive time on 91.5FM WNYE, appearing often as a commentator on other radio and television news programs as well. Eventually, Demetri’s broad experience in media and his passion for finance and economics lead to his creation and executive production of the popular international news program Capital Account, which was watched, during its run, by hundreds of thousands of people around the world.
More recently, Demetri Kofinas was responsible for overseeing the creation, development, and launch of The Art of Dying, an educational initiative whose mission is to revolutionize the way modern societies engage with, understand and build relationship around death and dying. The institute’s Spring 2015 conferencewas attended by more than 300 participants and featured eighteen of the world’s leading researchers, innovators, and practitioners from the fields of death care and death-related studies.
Demetri Kofinas currently serves as principal and Executive Producer of OFFLINE, an off-Broadway theater company specializing in modern adaptations of classic works, with an eye towards exploring modern and experimental interpretations and themes. The company’s most recent production – A Midsummer Night’s Dream – had a successful summer run at Theatre 80 St. Marks. Previous performances of Much Ado About Nothing and Twelfth Night have had Spring and Fall runs at the historic Soho Playhouse in Lower Manhattan. The coming launch of Hidden Forces Media has consumed all of Demetri’s free time, but he looks forward to putting on more productions in the near future.
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Summae mihi videtur inscitiae. Ergo ita: non posse honeste vivi, nisi honeste vivatur? Illa videamus, quae a te de amicitia dicta sunt. Sed quanta sit alias, nunc tantum possitne esse tanta.
Ne tum quidem te respicies et cogitabis sibi quemque natum esse et suis voluptatibus? Negare non possum. Isto modo ne improbos quidem, si essent boni viri. Quid, de quo nulla dissensio est? Ratio quidem vestra sic cogit. Potius ergo illa dicantur: turpe esse, viri non esse debilitari dolore, frangi, succumbere. At quicum ioca seria, ut dicitur, quicum arcana, quicum occulta omnia? Quis non odit sordidos, vanos, leves, futtiles? Non igitur bene. Cupiditates non Epicuri divisione finiebat, sed sua satietate. Omnia peccata paria dicitis.
Duo Reges: constructio interrete. Sit ista in Graecorum levitate perversitas, qui maledictis insectantur eos, a quibus de veritate dissentiunt. Haec dicuntur fortasse ieiunius;
Expectoque quid ad id, quod quaerebam, respondeas. Miserum hominem! Si dolor summum malum est, dici aliter non potest. At quanta conantur! Mundum hunc omnem oppidum esse nostrum! Incendi igitur eos, qui audiunt, vides.
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. At negat Epicurus-hoc enim vestrum lumen estquemquam, qui honeste non vivat, iucunde posse vivere. Nulla profecto est, quin suam vim retineat a primo ad extremum. Ergo id est convenienter naturae vivere, a natura discedere. Quam illa ardentis amores excitaret sui! Cur tandem? Sic enim censent, oportunitatis esse beate vivere.
Quare attende, quaeso. Quis est, qui non oderit libidinosam, protervam adolescentiam? Non igitur potestis voluptate omnia dirigentes aut tueri aut retinere virtutem. Fortasse id optimum, sed ubi illud: Plus semper voluptatis? Est enim effectrix multarum et magnarum voluptatum. Num quid tale Democritus? Est enim effectrix multarum et magnarum voluptatum.
Teneo, inquit, finem illi videri nihil dolere. Prodest, inquit, mihi eo esse animo. Duo Reges: constructio interrete. Ergo, inquit, tibi Q. Atqui reperies, inquit, in hoc quidem pertinacem; Idem etiam dolorem saepe perpetiuntur, ne, si id non faciant, incidant in maiorem. Ut nemo dubitet, eorum omnia officia quo spectare, quid sequi, quid fugere debeant? Facillimum id quidem est, inquam. Respondeat totidem verbis. Paulum, cum regem Persem captum adduceret, eodem flumine invectio?
Vitiosum est enim in dividendo partem in genere numerare. Sit, inquam, tam facilis, quam vultis, comparatio voluptatis, quid de dolore dicemus? Cave putes quicquam esse verius. Aut haec tibi, Torquate, sunt vituperanda aut patrocinium voluptatis repudiandum. Cenasti in vita numquam bene, cum omnia in ista Consumis squilla atque acupensere cum decimano. Bestiarum vero nullum iudicium puto. At hoc in eo M.
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Quod quidem nobis non saepe contingit. Negat enim summo bono afferre incrementum diem. Princeps huius civitatis Phalereus Demetrius cum patria pulsus esset iniuria, ad Ptolomaeum se regem Alexandream contulit. Duo Reges: constructio interrete. Atqui iste locus est, Piso, tibi etiam atque etiam confirmandus, inquam; Quod equidem non reprehendo;
Hanc in motu voluptatem -sic enim has suaves et quasi dulces voluptates appellat-interdum ita extenuat, ut M. Claudii libidini, qui tum erat summo ne imperio, dederetur. Inde sermone vario sex illa a Dipylo stadia confecimus. Duo enim genera quae erant, fecit tria. An hoc usque quaque, aliter in vita? Itaque et manendi in vita et migrandi ratio omnis iis rebus, quas supra dixi, metienda. Tu vero, inquam, ducas licet, si sequetur; An me, inquam, nisi te audire vellem, censes haec dicturum fuisse? Sint ista Graecorum; Maximus dolor, inquit, brevis est.
Ergo in gubernando nihil, in officio plurimum interest, quo in genere peccetur. Non dolere, inquam, istud quam vim habeat postea videro; Non autem hoc: igitur ne illud quidem. Luxuriam non reprehendit, modo sit vacua infinita cupiditate et timore. Tubulo putas dicere? Duarum enim vitarum nobis erunt instituta capienda.
Quid est, quod ab ea absolvi et perfici debeat? Bonum patria: miserum exilium. Non est ista, inquam, Piso, magna dissensio. Sed quia studebat laudi et dignitati, multum in virtute processerat. Et homini, qui ceteris animantibus plurimum praestat, praecipue a natura nihil datum esse dicemus? Quorum sine causa fieri nihil putandum est. Non est ista, inquam, Piso, magna dissensio. At quicum ioca seria, ut dicitur, quicum arcana, quicum occulta omnia? Tum Torquatus: Prorsus, inquit, assentior;
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Aeque enim contingit omnibus fidibus, ut incontentae sint. Tria genera bonorum; Quae cum essent dicta, discessimus. Itaque eos id agere, ut a se dolores, morbos, debilitates repellant. Quis enim potest ea, quae probabilia videantur ei, non probare? Illis videtur, qui illud non dubitant bonum dicere -; Duo Reges: constructio interrete. Sed nunc, quod agimus; Est tamen ea secundum naturam multoque nos ad se expetendam magis hortatur quam superiora omnia. Ita enim vivunt quidam, ut eorum vita refellatur oratio.
Ita multo sanguine profuso in laetitia et in victoria est mortuus. Quia voluptatem hanc esse sentiunt omnes, quam sensus accipiens movetur et iucunditate quadam perfunditur. Quid in isto egregio tuo officio et tanta fide-sic enim existimo-ad corpus refers? Immo videri fortasse. Poterat autem inpune; Nosti, credo, illud: Nemo pius est, qui pietatem-;
Et quidem saepe quaerimus verbum Latinum par Graeco et quod idem valeat; Negat enim summo bono afferre incrementum diem. Itaque ad tempus ad Pisonem omnes. Qui est in parvis malis. Longum est enim ad omnia respondere, quae a te dicta sunt. Hoc positum in Phaedro a Platone probavit Epicurus sensitque in omni disputatione id fieri oportere.
Ego vero volo in virtute vim esse quam maximam; Comprehensum, quod cognitum non habet? Teneo, inquit, finem illi videri nihil dolere. Tum Triarius: Posthac quidem, inquit, audacius. Negat enim summo bono afferre incrementum diem. Cum audissem Antiochum, Brute, ut solebam, cum M.